즘 and 쯤 are used in different ways and it's important to know their differences. This video explains how to use 즘, 즈음, and 쯤, which are used to mean "about" or "around."
The post The Subtle Difference Between 즘 and 쯤 | Korean FAQ appeared first on Learn Korean with GO! Billy Korean.
Sudoam Hermitage is a hermitage that belongs to Cheongamsa Temple in Gimcheon, Gyeongsangbuk-do. The hermitage is located south of the main temple on Mt. Sudosan (1,317.3 m). Sudoam Hermitage means “Practicing the Way Hermitage” in English. Like Cheongamsa Temple, Sudoam Hermitage was founded by Doseon-guksa (826-898 A.D.) in 859 A.D. Originally, the hermitage belonged to Ssanggyesa Temple. However, throughout the centuries, very little is known about the hermitage’s history after it was first founded. Later, Sudoam Hermitage was completely destroyed by fire in 1894 during the Donghak Peasant Revolution (1894-95). In 1900, the hermitage was rebuilt, which was around the same time as Cheongamsa Temple was rebuilt, as well. Sudoam Hermitage was rebuilt at this time by the monk Poeung-hwasang. The hermitage is also where Gyeongheo (1849–1912) and Hanam Jungwon (1876-1951) first met. It’s also where the monk Kusan (1909-83) gained his initial enlightenment.
In total, Sudoam Hermitage is home to three Korean Treasures. They are the “Stone Seated Bodhisattva at Sudoam Hermitage of Cheongamsa Temple,” which is Korean Treasure #296; the “East and West Three-Story Stone Pagodas at Sudoam Hermitage of Cheongamsa Temple,” which is Korean Treasure #296; and the “Stone Seated Vairocana Buddha at Sudoam Hermitage of Cheongamsa Temple,” which is Korean Treasure #307.
From the hermitage parking lot, you can look up and see the Boje-ru Pavilion. The pavilion is quite long with dorms to the right and left of the central entryway to the hermitage grounds. Passing through the entryway, and if you look up, you’ll notice Bicheon (Flying Heavenly Deities) painted on the ceiling of the structure. And if you look back, you’ll notice the rolling hills and valley off in the distance.
Having passed through the Boje-ru Pavilion, you’ll now be standing in the upper parking lot. To your direct right is an administrative building, but it’s straight ahead that you’ll want to go. You’ll see a long set of stairs fronted by three stone lions. At the top of these stairs, you’ll find three more statues. These stone statues are dragon statues. At the top of these stairs, and a little further up the pathway, you’ll see another set of stairs. These stairs are fronted by two book-ending stone lanterns and a central stone lion. Climbing these next set of stairs, and past the three additional dragon statues, you’ll come face-to-face with one of the two pagodas that comprise the “East and West Three-Story Stone Pagodas at Sudoam Hermitage of Cheongamsa Temple.”
This first pagoda is the west pagoda. The east pagoda is located about fifty metres away. And between the two pagodas are a stone lantern and a stone marker that’s inscribed with hanja characters. As for the pagodas, they are twin pagodas. It’s believed that these pagodas were made by Doseon-guksa. Because of the narrow ridge that the shrine halls and pagodas are located on at Sudoam Hermitage, they are close in proximity to both shrine halls in this area. The west pagoda is a three-story structure that stands on a two-story pedestal. The second tier is much smaller than the first tier. A column pattern is engraved along the edge of the first body stone. Also appearing in this stone is an image of a seated Bodhisattva relief. The roof stones to each story are thinner and broader than the east pagoda’s.
As for the east pagoda, it stands on a single tier pedestal. It also has three stories. The side of each pedestal is engraved with a column pattern. What makes this pagoda different than its western neighbour is that the east pagoda’s first body narrows towards the top. Also, the Bodhisattvas in the first body stone are engraved inside a rectangular box. As for the second and third body stones, they are engraved with column patterns on all sides. The roof stones are slightly thicker and less thin than the west pagoda at Sudoam Hermitage. Judging by the design and carvings on the pagodas, they are both believed to date back to the middle of the Silla Dynasty (57 B.C. – 935 A.D.).
Backing the west pagoda is the hermitage’s Daejeokgwang-jeon Hall. The exterior walls to the main hall are adorned with standard dancheong colours. However, the intricate eaves work is quite extensive and colourful. Stepping inside the Daejeokgwang-jeon Hall, you’ll find a solitary stone statue of Birojana-bul (The Buddha of Cosmic Energy). This is the “Stone Seated Vairocana Buddha at Sudoam Hermitage of Cheongamsa Temple.” The seated image is 2.51 metres in height, and it appears to be from late Unified Silla Dynasty (668-935 A.D.). Appearing on the top of Birojana-bul’s head is a topknot on top of a bald head. It’s both small and obvious. The face is square and plump with serene half-closed meditative eyes. It has long earlobes that come down to its shoulders. The robe covers both of its shoulders. The right hand covers the left index finger. This mudra (ritualized hand gesture) is known as the “diamond fist.” The statue rests upon a pedestal that’s divided into three parts. The bottom part is octagonal with an upside down lotus flower relief. The middle part of the pedestal is 45 cm in height with octagonal panels. There are two lines of lotus flowers crossing in a half circle at the top. There are also three lion images and a dragonhead carved at the front in the upper part of the pedestal, as well.
To the right of the Daejeokgwang-jeon Hall is Yakgwang-jeon Hall. The exterior walls are adorned with various murals that include flowers, birds, and Bicheon (Flying Heavenly Deities). The dancheong is vibrant. And the floral latticework that adorns both the front and side doors of this shrine hall are intricate.
Stepping inside the Yakgwang-jeon Hall, you’ll find even more murals of flowers and birds. But the main highlight to the shrine hall is the “Stone Seated Bodhisattva at Sudoam Hermitage of Cheongamsa Temple.” This seated stone statue is believed to date back to the early Goryeo Dynasty (918-1392). Often this statue is mistaken for a Bodhisattva because of the crown it wears. However, because of the mandorla, pedestal, and other features of the statue, this statue is in fact an image of the Buddha. A lot of the features of the face have faded over time. Both shoulders are covered by its robe. The hands are joined together. The mandorla that surrounds the entire body and head of the statue are adorned with lotus flower designs and flame patterns. The top of the square pedestal that the statue rests upon is shaped like a lotus flower. There are panel decorations in the middle part of the pedestal. And the bottom part of the pedestal is shaped like an upside down lotus flower. The statue is absolutely stunning.
To the far left of these shrine halls is the hermitage’s farmland as well as the monks’ dorms. And to the right of these shrine halls, and to the right of the upper parking lot, you’ll find a trail that leads you towards the Nahan-jeon Hall at Sudoam Hermitage. The exterior walls of the Nahan-jeon Hall are adorned with Nahan (The Historical Disciples of the Buddha). And up near the roof of the structure, you’ll see a fading manja image. Stepping inside the Nahan-jeon Hall, you’ll see a collection of sixteen colourful stone Nahan statues housed inside glass enclosures. And on the main altar, there’s a white triad of statues centred by a stone image of Seokgamoni-bul (The Historical Buddha). And joining this central image on either side are white, crowned images of Mireuk-bul (The Future Buddha) and Yeondeung-bul (The Past Buddha).
The easiest way to get to Sudoam Hermitage from the Gimcheon Intercity Bus Terminal is to simply take a taxi. However, the taxi ride will take 50 minutes and cost 50,000 won (one way), so this probably isn’t an option.
If you want to take public transportation from the Gimcheon Intercity Bus Terminal, you’ll need to board Bus #886-2. The bus ride will take about 60 minutes over 52 stops. You’ll need to get off at the “Pyeongchon – 평촌” stop. From this stop, you’ll need to walk an incredible 8 km up a mountain. In total, the hike should take at least 2 hours. So this probably isn’t an option either.
Simply put, the easiest and best way to get to this hard to reach hermitage is to simply have your own mode of transportation, but that isn’t always possible. The hermitage is definitely worth a visit, but it’s one of the harder ones to get to.
Sudoam Hermitage is one of the most impressive hermitages that you’ll see in Korea. It has three Korean Treasures, it’s beautifully situated, and it has a rich modern monastic history. The only drawback about the hermitage is that it’s hard to get to. But this aside, you really couldn’t ask for much more from a Buddhist hermitage in Korea. It simply checks all the boxes scenically, monastically, and artistically.
Mornings at Jinha Beach are a magnet for Korean photographers, and for good reason – it’s a stunning location that never fails to inspire. Last week, I ventured out with the itch to capture the beauty that only the early hours could offer. In this blog post, I want to share my experience and emphasize the importance of going out without expectations, allowing the morning to unfold its magic.
As a photographer, there’s an undeniable feeling in your bones that signals it’s time to head out and capture moments. Last week, that itch propelled me to Jinha Beach, driven by the anticipation of what the morning might reveal.
This particular morning, I was running a bit late due to traffic, but I still managed to arrive before sunrise. Here’s a valuable lesson – sometimes, you have to embrace the unexpected. Just go out, see what unfolds, and let the morning surprise you. Whether good or bad, the key is that you got out.
Before diving into long-exposure photography, I always take a few initial shots without any filters. This serves as a reference point and allows me to capture the full essence of the location before delving into the intricacies of long exposures.
Long-exposure photography requires time to achieve the correct exposure. Using the magnetic filter set from K&F Concept has proven invaluable. The ease of popping the 10-stop filter on and off swiftly enhances the efficiency of the process.
Despite the chilly January weather in Korea, I was pleasantly surprised to find surfers at Jinha Beach at this time of year. Their presence added a unique dimension to my shots. Timing was crucial; I seized the opportunity when one surfer walked down the beach, waiting for the perfect wave. Quick adjustments to camera settings ensured I captured the fleeting moment.
Photography often demands quick decision-making. Moments come and go swiftly, especially with dynamic elements like surfers. I worked fast, experimenting with various settings to ensure I got the shot before the opportunity passed.
In a matter of moments, the surfer was out in the water, and I decided to wrap up my session. As I packed my gear, I reflected on the importance of spontaneity in photography. Sometimes, you just need to go out, gear in hand, and see what unfolds. The unpredictability of these moments often leads to the most rewarding captures. So, my advice today is simple: go out, get some photos, and let the magic of the morning surprise you.
The post Capturing the Essence: A Morning Photowalk at Jinha Beach appeared first on The Sajin.
Over the past decade I've heard all sorts of language learning tips. Most have been useful and valid, and I've used several tips and shortcuts along the way to help my own learning. However I've also encountered a large amount of tips that are less than helpful, as well as several "shortcuts" for learning that can slow down learners - and so has my friend Forrest. We met up and discussed some of the most common "lies" about language learning, and how someone can avoid them.
The post Korean Learning Lies DEBUNKED | A Glass with Billy appeared first on Learn Korean with GO! Billy Korean.
The form ~해 가지가 (or ~갖고) is often compared to ~서 as being an informal version, but they're actually not interchangeable in many cases. In Sunday's live stream I covered how they're similar and how they're different, and gave several examples of this form. The abridged version is here to watch and is only 10 minutes long.
The post ~해 가지고 "So..." | Live Class Abridged appeared first on Learn Korean with GO! Billy Korean.
끝말잇기 is a Korean word game where you have to connect the start of a word with the ending of the previous word, using Korean syllables. I played this game together with my 7-year old son Jeremy several times to see who would be the victor.
The post Can my 7-year old son beat me at this Korean word chain game? appeared first on Learn Korean with GO! Billy Korean.
And then it came time to learn “and” in Korean. Conjunctions such as “and” are simultaneously so easy and so hard to learn in a different language. They may not translate the same way from one language to another, but at the same time, they are often used in similar ways.
In the case of “and,” it has usages that both correspond to how the English language uses it and also have ways to use it that may not be seen in the English language. After this article, we hope you will have a more comprehensive understanding of the various ways to use and say “and” in Korean.
Let’s go!
There are four main ways to say “and” in Korean. We will list each one of them below.
This is a very standard way of saying “and.” Therefore, you will most commonly hear and see this structure being used. It links two actions (고 | go) or two objects (하고 | hago) together in a sentence. It is especially common to use in spoken language, but it isn’t rare to see in written texts, either.
새 카메라하고 프린터를 사고 싶어요. (sae kamerahago peurinteoreul sago sipeoyo.)
I want to buy a new camera and printer.
나는 비디오 게임을 하고 남자친구는 축구를 해요. (naneun bidio geimeul hago namjachinguneun chukgureul haeyo.)
I play video games, and my boyfriend plays football.
이 신발은 너무 예쁘고 편안해요. (i sinbareun neomu yeppeugo pyeonanhaeyo.)
These shoes are so pretty and comfortable.
This structure links two sentences or two nouns together. Depending on the context, 그리고 (geurigo) translates as either “and” or “and then.” In many ways, it is quite identical to -하고.
However, in the case of 그리고 (geurigo), what follows after the word “and” is typically more of an afterthought. So, in a way, 그리고 (geurigo) is linking together two separate sentences, whereas 하고 (hago) links together two or more different things in the same sentence.
먼저 점심을 먹을 거예요. 그리고 영화를 보러 갈 거예요. (meonjeo jeomsimeul meogeul geoyeyo. geurigo yeonghwareul boreo gal geoyeyo.)
First I will eat lunch. And then, I will go watch a movie.
비빔밥, 불고기, 그리고 떡갈비 먹고 싶어요. (bibimbap, bulgogi, geurigo tteokgalbi meokgo sipeoyo.)
I want to eat bibimbap, bulgogi, and tteokgalbi.
Here -랑 (rang) is added after vowels, while -이랑 (irang) is added after a consonant. While it is not regarded as informal as such, it is incredibly casual and almost solely used in spoken Korean. In English, this may even be better translated as “with” rather than “and.”
It also has some other applicable translations that may be used. If there is more than one object mentioned in the sentence, you can attach -(이)랑 to each of them rather than just the first one.
오늘 친구랑 영화를 보고 쇼핑했어요. (oneul chingurang yeonghwareul bogo syopinghaesseoyo.)
Today I watched a movie and shopped with a friend.
나는 여자친구랑 밥을 먹었어. (naneun yeojachingurang babeul meogeosseo.)
I had a meal with my girlfriend.
배고파서 김밥이랑 떡볶이를 먹었어요. (baegopaseo gimbabirang tteokbokkireul meogeosseoyo.)
I was hungry, so I ate kimbab and tteokbokki.
Of all the options, these are the ones to use in formal situations, specifically added after a noun. It cannot be used after a sequence of objects; there can be only two nouns in the sentence. -와 (wa) is added after a noun ending in a vocal, and -과 (gwa) is added after a noun ending in a consonant.
This is a common way to use “and” in written Korean. It also works great in professional situations. However, this is usually avoided in spoken Korean.
Just like with the other options on this list, -와 (wa)/-과 (gwa) can also be used for other meanings, at least in how the word translates to other languages in context. For example, it can be used to state that something is different “from” another thing. It can also be translated as “with” or even “as”.
결정을 내리기 전에 어머니와 이야기를 해봐야 해요. (gyeoljeongeul naerigi jeone eomeoniwa iyagireul haebwaya haeyo.)
I’ll have to talk with my mother before I make a decision.
미식축구와 축구는 매우 달라요. (misikchukguwa chukguneun maeu dallayo.)
American football is very different from football.
내 대답은 어제와 같아. (nae daedabeun eojewa gata.)
My answer is the same as yesterday.
제일 좋아하는 음식은 피자와 스시예요. (jeil joahaneun eumsigeun pijawa seusiyeyo.)
My favorite foods are pizza and sushi.
To summarize, “and” is largely used as a particle in the Korean language. -과 (gwa)/-와 (wa), -(이)랑 (irang), and -하고 (hago) all serve as the particle “and,” as well as the particle “with.” We have an article on Korean particles, where we give some supporting information on this topic.
As you may have noticed above, “and” also doubles as a conjunction in the Korean language. As such, it is not only -과 (gwa)/-와 (wa), -(이)랑 (irang), and -하고 (hago) that work as conjunctions, but 그리고 (geurigo) and -고 (go) as well. Here, it connects sentences and phrases together. We have an article on the topic, if you would like to get more familiar with Korean conjunctions.
Now, do you believe you can handle the word “and” in Korean? We think you’ll be able to! As you can see, it operates quite similarly as it does in other languages, especially as a conjunction.
Understanding how the Korean words for “and” also operate as particles and other words may be trickier, but after this lesson, you’ll know a little better. And if you feel ready, you can start making sample sentences below in the comments! Next up, how about learning how to say “of course?”
The post “And” in Korean – Using it as a particle and conjunction appeared first on 90 Day Korean.
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This past Sunday I had a live class about the ADVANCED LEVEL grammar form ~즉(슨), which can be used like the Topic Marker (은/는) and has several uses. The full live stream lasted over an hour and a half, with some technical difficulties in the middle, but this abridged version is just over 10 minutes long.
The post 즉(슨) | Live Class Abridged appeared first on Learn Korean with GO! Billy Korean.
Greetings, Photography Enthusiasts! 
As we have bid farewell to the past year, I find myself reflecting on the incredible journey we’ve shared in the world of photography. The December 2023 gallery exhibition was nothing short of a triumph, and the outpouring of support from this fantastic city was truly amazing. The city of Ulsan support made it a resounding success, and I’m immensely grateful for every all that they’ve done.
Gallery Exhibition Recap: A December to Remember
The gallery exhibition in December 2023 was a culmination of passion, dedication, and creativity. It was a bit of a struggle at times but in the end it was a success. I was just overjoyed that my students could have their images displayed on the walls of the Ulsan Culture and Arts Center. My students have fueled my determination to delve even deeper into the art of storytelling through the lens and to create more lessons for them in the coming months.
Teaching and Sharing Knowledge at Ulsan Support Center for Foreigners
Looking ahead, the journey continues! I’m thrilled to announce that I’ll be continuing to teach photography classes at the Ulsan Support Center for Foreigners, tentatively starting in March 2024. The opportunity to share knowledge and foster a community of budding photographers is something I eagerly anticipate.
This was something that I took great joy in doing over the past year. The friends that I have made through this class and the experiences were unforgettable. I am really grateful for the opportunity to teach these classes.
Growing as a Photographer in 2024
As we step into the New Year, my aspirations as a photographer reach new heights. I am committed to expanding my portfolio, pushing the boundaries of creativity, and capturing moments that transcend the ordinary. This year is about growth, both personally and artistically.
After teaching photography every Saturday, for at least 2 hours, it sparked a new passion for the art that was starting to dim in the last few years. Now, I am fired up about the numerous photographic adventures that I am going to go on in this coming year.
Building Strong Partnerships
In my quest for excellence, I’m excited to explore collaborations with esteemed companies such as K&F Concept and others. Building strong relationships within the industry will not only enhance my craft but also open doors to exciting opportunities for all of us.
In 2023, I was very fortunate to have won not only a magnetic filter set from K&F Concept but also a brand new tripod! Not to mention they even gave me a medal!
To me, K&F Concept is doing a great job of building a community on Facebook and I encourage you to join their group as well. Not just for the contests but for the community too.
Upcoming Project Teaser
Hold onto your lenses, for there’s a thrilling announcement on the horizon! In the coming months, I’ll be embarking on a significant project that promises to be a visual spectacle. Stay tuned for updates as I unveil the details, and let’s embark on this journey together.
As we navigate the uncharted waters of 2024, I am filled with gratitude for the unwavering support this community has provided. Here’s to another year of chasing light, capturing stories, and growing as photographers. Together, let’s make 2024 a year to remember!
Wishing you all a year filled with boundless creativity and breathtaking captures,
Jason Teale 
#PhotographyJourney #NewYearUpdate #SajinPhotographyBlog
The post Capturing Moments and Looking Forward: A New Year Update from Sajin Photography appeared first on The Sajin.
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